A miniature altarpiece. Two silver-leafed wooden wings swing open to reveal a panel of warmly glowing cherry wood, in front of which a woman in a blue tracksuit stands. Upright, in trainers, looking straight ahead. The cherry wood wings with their reddish translucent edges and the silvered inner faces lend the object a sacral note that Hepp immediately grounds again with his everyday-dressed figure, barely the size of a hand. The principle of opening and closing has run through his work since the "Kistenobjekte" (box objects). Only the viewer's movement completes the sculpture – and with it the question of whether these wings are protecting this woman or releasing her.